Buddhism and Shinto
… a world where the line between the living and the dead is gossamer thin and where the need to pacify spirits who have been denied the correct rituals is paramount.
Ancestor worship demands a concept of the family that is entirely lacking in Japan, where bloodline counts for so little and where spirits quickly become amorphous. This lack of specificity is one reason deification is so rare. Buddhism may well ‘have little influence on private or national life’, but it remains subtly present everywhere. The Heart Sutra intoned by the Buddhist priest Kaneda tells us that all reality is mind and that the unhappy spirits are ultimately within, but getting the message across seems to have been a gruelling experience.
by Richard Lloyd Parry
Richard Lloyd Parry is Asia editor of the Times. He is writing a book about the 2011 tsunami in Japan.
I met a priest in the north of Japan who exorcised the spirits of people who had drowned in the tsunami. The ghosts did not appear in large numbers until later in the year, but Reverend Kaneda’s first case of possession came to him after less than a fortnight. He was chief priest at a Zen temple in the inland town of Kurihara. The earthquake on 11 March 2011 was the most violent that he, or anyone he knew, had ever experienced. The great wooden beams of the temple’s halls had flexed and groaned with the strain. Power, water and telephone lines were fractured for days; deprived of electricity, people in Kurihara, thirty miles from the coast, had a dimmer idea of what was going on there than television viewers on the other side of the world. But it became clear enough, when first a handful of families, and then a mass of them, began arriving at Kaneda’s temple with corpses to bury.
Nearly twenty thousand people had died at a stroke. In the space of a month, Kaneda performed funeral services for two hundred of them. More appalling than the scale of death was the spectacle of the bereaved survivors. ‘They didn’t cry,’ Kaneda said to me a year later. ‘There was no emotion at all. The loss was so profound and death had come so suddenly. They understood the facts of their situation individually – that they had lost their homes, lost their livelihoods and lost their families. They understood each piece, but they couldn’t see it as a whole, and they couldn’t understand what they should do, or sometimes even where they were. I couldn’t really talk to them, to be honest. All I could do was stay with them, and read the sutras and conduct the ceremonies. That was the thing I could do.’
Amid this numbness and horror, Kaneda received a visit from a man he knew, a local builder whom I will call Takeshi Ono. Ono was ashamed of what had happened, and didn’t want his real name to be published. ‘He’s such an innocent person,’ Kaneda said to me. ‘He takes everything at face value. You’re from England, aren’t you? He’s like your Mr Bean.’ I wouldn’t have gone so far, because there was nothing ridiculous about Ono. He was a strong, stocky man in his late thirties, the kind of man most comfortable in blue overalls. But he had a dreamy ingenuousness that made the story he told all the more believable.
He had been at work on a house when the earthquake struck. He clung to the ground for as long as it lasted; even his lorry shook as if it was about to topple over. The drive home, along roads without traffic lights, was alarming, but the physical damage was remarkably slight: a few telegraph poles lolling at an angle, toppled garden walls. As the owner of a small building firm, no one was better equipped to deal with the practical inconveniences inflicted by an earthquake. Ono spent the next few days busying himself with camping stoves, generators and jerry cans, and paying little attention to the news.
But once television was restored it was impossible to be unaware of what had happened. Ono watched the endlessly replayed image of the explosive plume above the nuclear reactor, and the mobile phone films of the black wave crunching up ports, houses, shopping centres, cars and human figures. These were places he had known all his life, fishing towns and beaches just over the hills, an hour’s drive away. And watching their destruction produced in Ono a feeling common at that time, even among those most directly affected by displacement and bereavement. Although what had happened was undeniable – the destruction of entire towns and villages, the extinction of a multitude – it was also impossible. Impossible and, in fact, absurd. Insupportable, soul-crushing, unfathomable – but also just silly.
‘My life had returned to normal,’ he told me. ‘I had petrol, I had an electricity generator, no one I knew was dead or hurt. I hadn’t seen the tsunami myself, not with my own eyes. So I felt as if I was in a kind of dream.’
Ten days after the disaster, Ono, his wife and his widowed mother drove over the mountains to see for themselves. They left in the morning in good spirits, stopped on the way to go shopping, and reached the coast in time for lunch. For most of the journey, the scene was familiar: brown rice fields, villages of wood and tile, bridges over wide slow rivers. Once they had climbed into the hills, they passed more and more emergency vehicles, not only those of the police and fire services, but military trucks of the Japan Self-Defence Forces. As the road descended towards the coast, their jaunty mood began to evaporate. Suddenly, before they understood where they were, they had entered the tsunami zone.
There was no advance warning, no marginal area of incremental damage. The wave had come in with full force, spent itself and stopped at a point as clearly defined as the reach of a high tide. Above it, nothing had been touched; below it, everything was changed.
No still photograph was capable of describing it. Even television images failed to encompass the panoramic quality of the disaster, the sense within the plain of destruction, of being surrounded by it on all sides. In describing the landscapes of war, we often speak of ‘total’ devastation. But even the most intense aerial bombing leaves walls and foundations of burned-out buildings, as well as parks and woods, roads and tracks, fields and cemeteries. The tsunami spared nothing, and achieved feats of surreal juxtaposition that no mere explosion could match. It plucked forests up by their roots and scattered them miles inland. It peeled the macadam off the roads and cast it hither and thither in buckled ribbons. It stripped houses to their foundations, and lifted cars, lorries, ships and corpses onto the tops of tall buildings.
At this point in Ono’s narrative, he became reluctant to describe in detail what he did or where he went. ‘I saw the rubble, I saw the sea,’ he said. ‘I saw buildings damaged by the tsunami. It wasn’t just the things themselves, but the atmosphere. It was a place I used to go so often. It was such a shock to see it. And all the police and soldiers there. It’s difficult to describe. It felt dangerous. My first feeling was that this is terrible. My next thought was: “Is it real?”’
Ono, his wife and his mother sat down for dinner as usual that evening. He remembered that he drank two small cans of beer with the meal. Afterwards, and for no obvious reason, he began calling friends on his mobile phone. ‘I’d just ring and say, “Hi, how are you?” – that kind of thing,’ he told me. ‘It wasn’t that I had much to say. I don’t know why, but I was starting to feel very lonely.’
His wife had already left the house when he woke the next morning. Ono had no particular work of his own, and passed an idle day at home. His mother bustled in and out, but she seemed mysteriously upset, even angry. When his wife got back from her office, she was similarly tense. ‘Is something wrong?’ Ono asked.
‘I’m divorcing you!’ she replied.
‘Divorce? But why? Why?’
And so his wife and mother described the events of the night before, after the round of needy phone calls. How he had jumped down on all fours and begun licking the tatami mats and futon, and squirmed on them like a beast. How at first they had nervously laughed at his tomfoolery, but then been silenced when he began snarling: ‘You must die. You must die. Everyone must die. Everything must die and be lost.’ In front of the house was an unsown field, and Ono had run out into it and rolled over and over in the mud, as if he was being tumbled by a wave, shouting: ‘There, over there! They’re all over there – look!’ Then he had stood up and walked out into the field, calling, ‘I’m coming to you. I’m coming over to that side,’ before his wife physically wrestled him back into the house. The writhing and bellowing went on all night until, around five in the morning, Ono cried out, ‘There’s something on top of me,’ collapsed, and fell asleep.
‘My wife and my mother were so anxious and upset,’ he said. ‘Of course I told them how sorry I was. But I had no memory of what I did or why.’
It went on for three nights. The next evening, as darkness fell, he saw figures walking past the house: parents and children, a group of young friends, a grandfather and a child. ‘They were covered in mud,’ he said. ‘They were no more than twenty feet away, and they stared at me, but I wasn’t afraid. I just thought, “Why are they in those muddy things? Why don’t they change their clothes? Perhaps their washing machine’s broken.” They were like people I might have known once, or seen before somewhere. The scene was flickering, like a film. But I felt perfectly normal, and I thought that they were just ordinary people.’
The next day, Ono was lethargic and inert. At night, he would lie down, sleep heavily for ten minutes, then wake up as lively and refreshed as if eight hours had passed. He staggered when he walked, glared at his wife and mother and even waved a knife. ‘Drop dead!’ he would snarl. ‘Everyone else is dead, so die!’
After three days of pleading by his family, he went to Reverend Kaneda at the temple. ‘His eyes were dull,’ Kaneda said. ‘Like a person with depression after taking their medication. I knew at a glance that something was wrong.’ Ono recounted the visit to the coast, and his wife and mother described his behaviour in the days since. ‘The Reverend was looking hard at me as I spoke,’ Ono said, ‘and in part of my mind I was saying, “Don’t look at me like that, you bastard. I hate your guts! Why are you looking at me?”’
Kaneda took Ono by the hand and led him into the main hall of the temple. ‘He told me to sit down. I was not myself. I still remember that strong feeling of resistance. But part of me was also relieved – I wanted to be helped, and to believe in the priest. The part of me that was still me wanted to be saved.’
Kaneda beat the temple drum as he chanted the Heart Sutra:
There are no eyes, no ears, no nose, no tongue,
no body, mind; no colour, sound, or smell;
no taste, no touch, no thing; no realm of sight,
no realm of thoughts; no ignorance, no end
to ignorance; no old age and no death;
no end to age and death; no suffering,
nor any cause of suffering, nor end
to suffering, no path, no wisdom and no fulfilment.
Ono’s wife told him that he pressed his hands together in prayer and that as the priest’s recitation continued, they rose high above his head as if being pulled from above. The priest splashed him with holy water, and then suddenly he returned to his senses and found himself with wet hair and shirt, filled with a sensation of tranquillity and release. ‘My head was light,’ he said. ‘In a moment, the thing that had been there had gone. I felt fine physically, but my nose was blocked, as if I’d come down with a heavy cold.’
Kaneda spoke to him sternly; they both understood what had happened. ‘Ono told me that he’d walked along the beach in that devastated area, eating an ice cream,’ the priest said. ‘He even put up a sign in the car in the windscreen saying ‘disaster relief’, so that no one would stop him. He went there flippantly, without giving it any thought at all. I told him: “You fool. If you go to a place where many people have died, you must go with a feeling of respect. That’s common sense. You have suffered a kind of punishment for what you did. Something got hold of you, perhaps the dead who cannot accept yet that they are dead. They have been trying to express their regret and their resentment through you.”’ Kaneda smiled as he remembered it. ‘Mr Bean!’ he said. ‘He’s so innocent and open. That’s another reason they were able to possess him.’
Ono recognised all this, and more. It wasn’t just the spirits of men and women that had possessed him, he saw now, but also animals – cats and dogs and other beasts which had drowned with their masters.
He thanked the priest, and drove home. His nose was streaming as if with catarrh, but what came out was not mucus, but a bright pink jelly like nothing he had seen before.
The wave penetrated no more than a few miles inland, but over the hills in Kurihara it transformed the life of Reverend Kaneda. He had inherited his temple as the son and grandson of the previous priests, and the task of dealing with the survivors of the tsunami had tested him in ways for which he was unprepared. It had been the greatest disaster of postwar Japan: no larger single loss of life had occurred since the bombing of Nagasaki in 1945. And yet the pain did not announce itself; it dug underground and burrowed deep. Once the immediate emergency had abated, once the bodies were cremated, the memorial services held and the homeless sheltered, Kaneda set about trying to gain entry into the dungeon of silence in which he saw so many of the survivors languishing.
He began travelling around the coast with a group of fellow priests, organising an event he called ‘Café de Monku’ – a bilingual pun. As well as being the Japanese pronunciation of the English word ‘monk’, monku means ‘complaint’. ‘We think it will take a long time to get back to a calm, quiet, ordinary life,’ the flyer said. ‘Why don’t you come and join us – take a break and have a little moan? The monks will listen to your complaint – and have a monku of their own too.’
Under this pretext – a casual cup of tea and a friendly chat – people came to the temples and community centres where Café de Monku was held. Many lived in ‘temporary residences’, the grim prefabricated huts, freezing in winter and sweltering in summer, where those who could afford nothing better ended up. The priests listened sympathetically and made a point of not asking too many questions. ‘People don’t like to cry,’ Kaneda said. ‘They see it as selfish. Among those who are living in the temporary homes, there’s hardly anyone who hasn’t lost a member of their family. Everyone’s in the same boat, so they don’t like to seem self-indulgent. But when they start talking, and when you listen to them, and sense their gritted teeth and their suffering, all the suffering they can’t and won’t express, in time the tears come, and they flow without end.’
Haltingly, apologetically, then with increasing fluency, the survivors spoke of the terror of the wave, the pain of bereavement and their fears for the future. They also talked about encounters with the supernatural. They described sightings of ghostly strangers, friends and neighbours, and dead loved ones. They reported hauntings at home, at work, in offices and public places, on the beaches and in the ruined towns. The experiences ranged from eerie dreams and feelings of vague unease to cases, like that of Takeshi Ono, of outright possession.
A young man complained of pressure on his chest at night, as if some creature was straddling him as he slept. A teenage girl spoke of a fearful figure who squatted in her house. A middle-aged man hated to go out in the rain, because the eyes of the dead stared out at him from puddles.
A civil servant in Soma visited a devastated stretch of coast, and saw a solitary woman in a scarlet dress far from the nearest road or house, with no means of transport in sight. When he looked for her again she had disappeared.
A fire station in Tagajo received calls to places where all the houses had been destroyed by the tsunami. The crews went out to the ruins anyway and prayed for the spirits of those who had died – and the ghostly calls ceased.
A cab driver in the city of Sendai picked up a sad-faced man who asked to be taken to an address that no longer existed. Halfway through the journey, he looked into his mirror to see that the rear seat was empty. He drove on anyway, stopped in front of the levelled foundations of a destroyed house, and politely opened the door to allow the invisible passenger out at his former home.
At a refugee community in Onagawa, an old neighbour would appear in the living rooms of the temporary houses, and sit down for a cup of tea with their startled occupants. No one had the heart to tell her that she was dead; the cushion on which she had sat was wet with seawater.
Priests – Christian and Shinto, as well as Buddhist – found themselves called on repeatedly to quell unhappy spirits. A Buddhist monk wrote an article in a learned journal about ‘the ghost problem’, and academics at Tohoku University began to catalogue the stories. ‘So many people are having these experiences,’ Kaneda told me. ‘It’s impossible to identify who and where they all are. But there are countless such people, and I think that their number is going to increase. And all we do is treat the symptoms.’
When opinion polls put the question, ‘How religious are you?’, the Japanese rank among the most ungodly people in the world. It took a catastrophe for me to understand how misleading this self-assessment is. It is true that the organised religions, Buddhism and Shinto, have little influence on private or national life. But over the centuries both have been pressed into the service of the true faith of Japan: the cult of the ancestors.
I knew about the ‘household altars’, or butsudan, which are still seen in most homes and on which the memorial tablets of dead ancestors – the ihai – are displayed. The butsudan are black cabinets of lacquer and gilt, with openwork carvings of lions and birds; the ihai are upright tablets of black polished wood, vertically inscribed in gold. Offerings of flowers, incense, rice, fruit and drinks are placed before them; at the summer Festival of the Dead, families light candles and lanterns to welcome home the ancestral spirits. I had assumed that these picturesque practices were matters of symbolism and custom, attended to in the same way that people in the West will participate in a Christian funeral without any literal belief in the words of the liturgy. But in Japan spiritual beliefs are regarded less as expressions of faith than as simple common sense, so lightly and casually worn that it is easy to miss them altogether. ‘The dead are not as dead there as they are in our own society,’ the religious scholar Herman Ooms writes. ‘It has always made perfect sense in Japan as far back as history goes to treat the dead as more alive than we do … even to the extent that death becomes a variant, not a negation of life.’
At the heart of ancestor worship is a contract. The food, drink, prayers and rituals offered by their descendants gratify the dead, who in turn bestow good fortune on the living. Families vary in how seriously they take these ceremonies, but even for the unobservant, the dead play a continuing part in domestic life. For much of the time, their status is something like that of beloved, deaf and slightly batty old folk who can’t expect to be at the centre of the family but who are made to feel included on important occasions. Young people who have passed important entrance examinations, got a job or made a good marriage kneel before the butsudan to report their success. Victory or defeat in an important legal case, for example, will be shared with the ancestors in the same way.
When grief is raw the presence of the deceased is overwhelming. In households that lost children in the tsunami it became routine, after half an hour of tea and chat, to be asked if I would like to ‘meet’ the dead sons and daughters. I would be led to a shrine covered with framed photographs, toys, favourite drinks and snacks, letters, drawings and school exercise books. One mother had commissioned Photoshopped portraits of her children, showing them as they would have been had they lived: a boy who died in primary school smiling proudly in high school uniform, a teenage girl as she should have looked in a kimono at her coming of age ceremony. Here, every morning, she began the day by talking to her dead children, weeping love and apology, as unselfconsciously as if she were speaking over a long-distance telephone line.
The tsunami did appalling violence to the religion of the ancestors. Along with walls, roofs and people, the water carried away household altars, memorial tablets and family photographs. Cemetery vaults were ripped open and the bones of the dead scattered. Temples were destroyed, along with memorial books listing the names of ancestors over generations. ‘The memorial tablets – it’s difficult to exaggerate their importance,’ Yozo Taniyama, a priest and friend of Reverend Kaneda, told me. ‘When there’s a fire or an earthquake, the ihai are the first thing many people will save, before money or documents. People died in the tsunami because they went home for the ihai. It’s life – like saving your late father’s life.’
When people die violently or prematurely, in anger or anguish, they are at risk of becoming gaki, ‘hungry ghosts’, who wander between worlds, propagating curses and mischief. There are rituals for placating unhappy spirits, but in the aftermath of the disaster few families were in a position to perform them. And then there were those ancestors whose descendants were entirely wiped out by the wave. Their comfort in the afterlife depended entirely on the reverence of living families, which had been permanently and irrevocably cut off: their situation was as helpless as that of orphaned children.
Thousands of spirits had passed from life to death; countless others were cut loose from their moorings in the afterlife. How could they all be cared for? Who was to honour the compact between the living and the dead? In such circumstances, how could there fail to be a swarm of ghosts?
Even before the tsunami struck its coast, nowhere in Japan was closer to the world of the dead than Tohoku, the northern part of the island of Honshu. In ancient times, it was a notorious frontier realm of barbarians, goblins and bitter cold. For modern Japanese, it remains a remote, marginal, faintly melancholy place, of thick dialects and quaint conservatism, the symbol of a rural tradition that, for city dwellers, is no more than a folk memory. Tohoku has bullet trains and smartphones and all the other 21st-century conveniences, but it also has secret Buddhist cults, a lively literature of supernatural tales and a sisterhood of blind shamanesses who gather once a year at a volcano called Osore-san, or ‘Mt Fear’, the traditional entrance to the underworld.
Masashi Hijikata, the closest thing you could find to a Tohoku nationalist, understood immediately that after the disaster hauntings would follow. ‘We remembered the old ghost stories,’ he said, ‘and we told one another that there would be many new stories like that. Personally, I don’t believe in the existence of spirits, but that’s not the point. If people say they see ghosts, then that’s fine – we can leave it at that.’
Hijikata was born in Hokkaido, Japan’s northernmost island, but came to Sendai as a university student, and has the passion of the successful immigrant for his adopted home. When I met him he was running a small publishing company whose books and journals were exclusively on Tohoku subjects. Prominent among his authors was the academic Norio Akasaka, a stern critic of the policies of the central government towards the region. These had been starkly illuminated by the nuclear disaster in Fukushima: an industrial plant erected by Tokyo, supplying electricity to the capital, and now spitting radiation over people who had enjoyed none of its benefits. ‘Before the war, it used to be said that Tohoku provided men as soldiers, women as prostitutes, and rice as tribute,’ Akasaka wrote. ‘I had thought that that kind of colonial situation had changed, but after the disaster I changed my thinking.’
Hijikata explained the politics of ghosts to me, as well as the opportunity and the risk they represented for the people of Tohoku. ‘We realised that so many people were having experiences like this,’ he said, ‘but there were people taking advantage of them. Trying to sell them this and that, telling them: “This will give you relief.”’ He met a woman who had lost her son in the disaster, and who was troubled by a sense of being haunted. She went to the hospital: the doctor gave her anti-depressants. She went to the temple: the priest sold her an amulet, and told her to read the sutras. ‘But all she wanted,’ he said, ‘was to see her son again. There are so many like her. They don’t care if they are ghosts – they want to encounter ghosts.’
‘Given all that, we thought we had to do something. Of course, there are some people who are experiencing trauma, and if your mental health is suffering then you need medical treatment. Other people will rely on the power of religion, and that is their choice. What we do is to create a place where people can accept the fact that they are witnessing the supernatural. We provide an alternative for helping people through the power of literature.’
Hijikata revived a literary form which had flourished in the feudal era: the kaidan, or ‘weird tale’. Kaidankai, or ‘weird tale parties’, had been a popular summer pastime, when the delicious chill imparted by ghost stories served as a form of pre-industrial air conditioning. Hijikata’s kaidankai were held in modern community centres and public halls. They would begin with a reading by one of his authors. Then members of the audience would share experiences of their own: students, housewives, working people, retirees. He organised kaidan-writing competitions, and published the best of them in an anthology. Among the winners was Ayane Suto, whom I met one afternoon at Hijikata’s office.
She was a calm, neat young woman with black glasses and a fringe, who worked in Sendai at a care home for the disabled. The fishing port of Kesennuma, where she grew up, was one of the towns worst hit by the tsunami. Ayane’s family home was beyond the reach of the wave, and her mother, sister and grandparents were untouched by it. But her father, a maritime engineer, worked in an office on the town’s harbour front, and that evening he didn’t come home.
‘I thought about him all the time,’ Ayane said. ‘It was obvious something had happened. But I said to myself that he might just be injured – he might be lying in hospital somewhere. I knew that I should prepare for the worst. But I wasn’t prepared at all.’ She passed painful days in Sendai, trying to clear up the mess caused in her flat by the earthquake, thinking always of her father. Two weeks after the disaster, his body was found.
She arrived back at her family home just before the coffin was carried in. Friends and extended family had gathered, most of them casually dressed: everything black, everything formal, had been washed away. ‘He hadn’t drowned, as most people did,’ Ayane said. ‘He died of a blow to the chest from some big piece of rubble. In the coffin you could only see his face through a glass window. It had been a fortnight, and I was afraid that his body might have decayed. I looked through the window. I could see that he had a few cuts, and he was pale. But it was still the face of my father.’ She wanted to touch his face for the last time, but the casket and its window had been sealed shut. On it lay a white flower, a single cut stem placed on the coffin’s wood by the undertaker. There was nothing unusual about it. But to Ayane it was extraordinary. Ten days earlier, at the height of her hope and despair, in an effort to escape her anxiety, Ayane had gone to a big public bathhouse to soak in the hot spring water. When she came out, she retrieved her boots from the locker and felt an obstruction in the toe as she pulled them on. ‘I could feel how cold it was,’ she remembered, ‘even through my socks. And it felt soft, fluffy.’ She reached in, and removed a white flower, as fresh and flawless as if had just been cut.
A minor mystery: how could such an object have found its way into a boot inside a locked container? It faded from her mind, until that moment in front of her father’s coffin, when the same flower presented itself again. ‘The first time, I had the feeling that this might be a premonition of bad news,’ Ayane said. ‘Dad might not be alive any more, and this might be a sign of his death. But then I thought about it later, about the coolness of the flower, and the whiteness of the flower, and that feeling of softness against my toe. And I thought of that as the touch of my father, which I couldn’t experience when he was in his coffin.’
Ayane knew that the flower was just a flower. She didn’t believe in ghosts, or that her dead father had sent it to her as a sign – if such communication was possible, why would a loving parent express it in such obscure terms? ‘I think it was a coincidence,’ she said, ‘and that I made something good of it. When people see ghosts, they are telling a story, a story which has been broken off. They dream of ghosts, because then the story carries on, or comes to a conclusion. And if that brings them comfort, that’s a good thing.’
Committed to print as a kaidan, published in Hijikata’s magazine, it took on greater significance. ‘There were thousands of deaths, each of them different,’ Ayane said. ‘Most of them have never been told. My father’s name was Tsutomu Suto. By writing about him, I share his death with others. Perhaps I save him in some way, and perhaps I save myself.’
Late last summer I went back to see Reverend Kaneda again. Two and a half years had passed since the disaster, and inland there was no visible evidence of it at all. The towns and cities of Tohoku were humming with the money being injected into the region for its reconstruction. A hundred thousand people still lived in prefabricated houses, but these upsetting places were tucked away out of sight of the casual visitor. None of the towns destroyed by the wave had been rebuilt, but they had been scoured of rubble. Coarse, tussocky grass had overgrown the coastal strip, and those ruins that were still visible looked more like neglected archaeological sites than places of continuing pain and despair.
I visited Kaneda in his temple, and sat in the room where he received visitors. Lined up on the tatami were dozens of small clay statues, which would be handed out to the patrons of Café de Monku. They were representations of Jizo, the bodhisattva associated with kindness and mercy, who consoles the living and the dead.
In this room, Kaneda told me, he recently met a 25-year-old woman whom I will call Rumiko Takahashi. She had telephoned him in June in a state of incoherent distress. She talked of killing herself; she shouted about things entering her. That evening, a car pulled up at the temple: Rumiko, her mother, sister and fiancé were inside. She was a nurse from Sendai – ‘a very gentle person’, Kaneda said, ‘nothing peculiar or unusual about her at all’. Neither she, nor her family, had been hurt by the tsunami. But for weeks, her fiancé said, she had been complaining of something pushing into her from a place deep below, of dead presences ‘pouring out’ invisibly around her. Rumiko herself was slumped over the table. She stirred as Kaneda addressed the creature within her. ‘I asked: “Who are you, and what do you want?”’ he said. ‘When it spoke, it didn’t sound like her at all. It talked for three hours.’
It was the spirit of a young woman whose mother had divorced and remarried, and who found herself unloved and unwanted by her new family. She ran away and found work in the mizu shobai, or ‘water trade’, the night-time world of clubs, bars and prostitution. There she became more and more isolated and depressed, and fell under the influence of a morbid and manipulative man. Unknown to her family, unmourned by anyone, she killed herself. Since then, not a stick of incense had been lit in her memory.
Kaneda asked the spirit: ‘Will you come with me? Do you want me to lead you to the light?’ He took her to the main hall of the temple, where he recited the sutra and sprinkled holy water. By the time the prayers were done, at half past one in the morning, Rumiko had returned to herself, and she and her family went home.
Three days later she was back. She complained of great pain in her left leg; once again, she had the sensation of being stalked by an alien presence. The effort of keeping out the intruder was exhausting. ‘That was the strain, the feeling that made her suicidal,’ Kaneda said. ‘I told her: “Don’t worry – just let it in.”’ Rumiko’s posture and voice immediately stiffened and deepened; Kaneda found himself talking to a gruff man with a peremptory manner of speech, a sailor of the old Imperial Navy who had died in action during the Second World War after his left leg had been gravely injured by a shell.
The priest spoke soothingly to the old veteran: he prayed and chanted, the interloper departed, and Rumiko was calm. But all of this was just a prologue. ‘All the people who came,’ Kaneda said, ‘and each one of the stories they told had some connection with water.’
Over the course of last summer, Reverend Kaneda exorcised 25 spirits from Rumiko Takahashi. They came and went at the rate of several a week. All of them, after the wartime sailor, were ghosts of the tsunami. For Kaneda, the days followed a relentless routine. The telephone call from Rumiko would come in the early evening; at nine o’clock her fiancé would pull up in front of the temple and carry her out of the car. As many as three spirits would appear in a single session. Kaneda talked to each personality in turn, sometimes over several hours: he established their circumstances, calmed their fears and politely but firmly enjoined them to follow him towards the light. Kaneda’s wife would sit with Rumiko; sometimes other priests were present to join in with the prayers. In the early hours of the morning, Rumiko would be driven home. ‘Each time she would feel better, and go back to Sendai, and go to work,’ Kaneda told me. ‘But then after a few days, she’d be overwhelmed again.’ Out among the living, surrounded by the city, she would become conscious of the dead, a thousand importunate spirits pressing in on her and trying to get inside.
One of the first was a middle-aged man who, speaking through Rumiko, despairingly called the name of his daughter.
‘Kaori!’ said the voice. ‘Kaori! I have to get to Kaori. Where are you, Kaori? I have to get to the school, there’s a tsunami coming.’
The man’s daughter had been at her school by the sea when the earthquake struck. He had rushed out of work and driven along the coast road to pick her up, when the water had overtaken him. His agitation was intense; he was impatient and suspicious of Kaneda.
The voice asked: ‘Am I alive or not?’
‘No,’ Kaneda said. ‘You are dead.’
‘And how many people died?’ the voice asked.
‘Twenty thousand people died.’
‘Twenty thousand? So many?’
Later, Kaneda asked him where he was.
‘I’m at the bottom of the sea. It is very cold.’
‘Come up from the sea to the world of light,’ Kaneda said.
‘But the light is so small,’ the man replied. ‘There are bodies all around me, and I can’t reach it. And who are you anyway? Who are you to lead me to the world of light?’
The conversation went round and round for two hours. Eventually, Kaneda said: ‘You are a father. You understand the anxieties of a parent. Consider this girl whose body you have used. She has a father and mother who are worried about her. Have you thought of that?’
There was a long pause, and the man said, ‘You’re right,’ then moaned. Kaneda chanted the sutra. He paused from time to time when the voice uttered choked sounds, but they faded to mumbles and finally the man was gone.
Day after day, week after week, the spirits kept coming: men and women, young people and old, with accents rough and polished. They told their stories at length, but there was never enough specific detail – surnames, place names, addresses – to verify any individual account, and Kaneda felt no urge to. One man had survived the tsunami but killed himself after learning of the death of his two daughters. Another wanted to join the rest of his ancestors but couldn’t find his way because his home and everything in it had been washed away. There was an old man who spoke in thick Tohoku dialect. He was desperately worried about his wife, who had survived and was living alone and uncared-for in one of the bleak metal huts. In a shoebox, she kept a white rope which she would contemplate and caress. He feared what she planned to use it for.
Kaneda reasoned and cajoled, prayed and chanted, and in the end each of the spirits gave way. But days or hours after one group of ghosts had been dismissed, more would stumble forward to take their place. One night in the temple, Rumiko announced: ‘There are dogs all around me, it’s loud! They are barking so loudly I can’t bear it.’ Then she said: ‘No! I don’t want it. I don’t want to be a dog.’ Finally she said: ‘Give it rice and water to eat. I’m going to let it in.’
‘She told us to seize hold of her,’ Kaneda said, ‘and when the dog entered her it had tremendous power. There were three men holding on to her, but they were not strong enough, and she threw them off. She was scratching the floor and roaring, a deep growl.’ Later, after the chanting of the sutra, and the return to her peaceful self, Rumiko recounted the story of the dog. It had been the pet of an old couple who lived close to the Fukushima Dai-ichi nuclear power plant. When the radiation began to leak, its owners had fled in panic with all their neighbours. But they forgot to unchain the dog, which slowly died of thirst and hunger. Later, when it was much too late, the spirit of the animal observed men in white protective suits coming in and peering at its shrivelled corpse.
In time, Rumiko became able to exercise control over the spirits; she spoke of a container, which she could choose to open or close. A friend of Kaneda, who was present at one of the exorcisms, compared her to a chronically ill patient habituated to vomiting: what at first was disgusting became over time familiar and bearable. By August, she reported being able to brush the spirits away when they approached her. She was still conscious of their presence: they were no longer shoving and jostling her but skulking at the room’s edge. The evening telephone calls and late-night visits became less and less frequent. Rumiko and her fiancé married and moved away from Sendai, and to his extreme relief Kaneda stopped hearing from her.
The effort of the exorcisms was too much. Friends were beginning to worry about him. ‘I was overwhelmed,’ he said. ‘Over the months, I’d become accustomed to hearing the stories of survivors. But all of a sudden, I found myself listening to the voices of the dead.’
Most difficult to bear were the occasions when Rumiko was possessed by the personalities of children. ‘When a child appeared,’ Kaneda said, ‘my wife took her hand. She said: “It’s Mummy – it’s Mummy here. It’s all right, it’s all all right. Let’s go together.”’ The first to appear was a tiny nameless boy, too young to understand what was being said to him, or to do anything more than call for his mother over and over again. The second was a girl of seven or eight. She had been with her even younger brother when the tsunami struck, and tried to run away with him. But in the water, as they were both drowning, she had let go of his hand; now she was afraid that her mother would be angry. ‘There’s a black wave coming,’ she said. ‘I’m scared, Mummy. Mummy, I’m sorry, I’m sorry.’
The voice of the girl was terrified and confused. Her body was drifting helplessly in the cold water, and it was a long struggle to guide her upwards towards the light. ‘She gripped my wife’s hand tightly until she finally came to the gate of the world of light,’ Kaneda recalled. ‘Then she said: “Mum, I can go on my own now, you can let go.”’
Afterwards, Mrs Kaneda tried to describe the moment when she released the hand of the young-woman-as-little-drowned-girl. The priest himself was weeping for her, and for the twenty thousand other stories of terror and extinction. But his wife was aware only of a huge energy dissipating. It made her remember the experience of childbirth, and the sense of power discharging at the end of pain as the newborn child finally enters the world.
by Richard Lloyd Parry